Natalie McCool - The Great Unknown

It's always nice to hear a refreshing new pop artist. Natalie McCool is the fresh new face on the block, and she brings something new to the table with her debut record The Great Unknown.

The Great Unknown isn't pop in the traditional sense. It's a mix of darkness and the modern, radio pop that most may be familiar with. Natalie McCool doesn't appear to be a sellout, though. The music is pure in every sense, clearly not some of the more fabricated stuff you'd here from time to time. There are plenty of moments when the album's purity comes into play, perhaps not becoming most clear until the final track 'When You Love Somebody.' This track is the most bubblegum pop you'll heard on the record, simple and easygoing as McCool dreamily sings "it's there when you love somebody."

There are plenty of sweet moments on this record like this track. See 'Fortress,' bringing forward the sweet punchy synths of LIGHTS and sweet harmonies you might expect of St. Vincent. It's danceable but its understated, something you'd might slowly sway to on a cloudy day in town. It's definitely not a city song - it's a country song at heart; not stylistically, but intrinsically. It builds with power, elements piling together for one powerful yet fun end. Much is the same about 'Magnet,' the simple lyrics crooned sweetly and with lots of fun. It's more immediately upfront and has more urgency to it, but it's a solid pop song all around.

The Great Unknown has some darkness to it, too. 'Just Let Me Go' changes the scene of the record, dark and brooding with the poetry of Aurora and the spacious understanding of Chelsea Wolfe. It's a slow moving beast, the mystery building slowly, treading across the floor like the "demon [that] burns all our souls" that the song refers too. 'Feel Good' follows up, not as dark but with the same mood to it. It's not the dark, poetic monster that 'Just' was, but its darker vibe helps make it feel a bit more serious.

The are very few weak moments on the record. From the sweet beginning of 'Pins' right to the very end, it's a pretty great and chill record. The only moment that stands out as particularly bad is 'Cardiac Arrest,' where the lyrics don't quite get the message across like they should. Otherwise, the record is a very clear and solid pop record.

The Great Unknown is a great introduction into the music industry for Natalie McCool. There's a clear understanding of her sound and a great control of poetic emotion and pure emotion. This is the start of a strong career - this songwriter's pop rock flair is going to be a driving force for those to come.

Favorite Tracks: Just Let Me Go, Fortress, Magnet, Pins

Least Favorite Track: Cardiac Arrest

Rating: 78 / 100

2nd Quarter Of 2016 in Music - Wrap Up

2016 is still rolling by, and the albums are getting more diverse. Here's what I've listened to over the last three months (April - June) and links to the albums I've reviewed.

5-Star Albums (8.5 - 10)

4-Star Albums (6.5 - 8)

3-Star Albums (4.5 - 6)

2-Star Albums (2.5 - 4)

  • None!

1-Star Albums (0 - 2)

 

Top Albums Of 2016 (so far)

  1. Radiohead - A Moon Shaped Pool
  2. AURORA - All My Demons Greeting Me As A Friend
  3. Panic! At The Disco - Death Of A Bachelor
  4. Deftones - Gore
  5. Dream Theater - The Astonishing
  6. Foxes - All I Need
  7. Daughter - Not To Disappear
  8. Gojira - Magma
  9. Thrice - To Be Everywhere Is To Be Nowhere
  10. Architects All Our Gods Have Abandoned Us

Top Songs Of 2016 (so far)

  1. AURORA - 'Murder Song (5, 4, 3, 2, 1) (Acoustic)'
  2. Radiohead - 'True Love Waits'
  3. Deftones - 'Hearts/Wires'
  4. Radiohead - 'Daydreaming' *
  5. Panic! At The Disco - 'Emperor's New Clothes'
  6. Foxes - 'Better Love'
  7. Lacey Sturm - 'Rot'
  8. AURORA - 'Through The Eyes Of A Child'
  9. Deftones - 'Phantom Bride'
  10. Thrice - 'Black Honey'

Once again, thanks for reading our reviews and following us! :) There's a lot more to come. Be sure to follow us on Twitter and like our Facebook page so you don't miss anything!

1st Quarter Of 2016 in Music - Wrap Up

2016 is off to an extremely strong start. Here’s just a list of all of the new albums I’ve listened to from January to March and links to reviews, if applicable.

Doing it a bit different this time, doing it by rating, from greatest to worst. Alphabetical just seemed trivial.

5-Star Albums (8.5 - 10)

4-Star Albums (6.5 - 8)

3-Star Albums (4.5 - 6)

2-Star Albums (2.5 - 4)

  • Killswitch Engage - Incarnate: 4
  • Cozz - Nothin Personal: 3.5

1-Star Albums (0 - 2)

  • None! :D

 

Top Albums Of 2016 (so far)

  1. AURORA - All My Demons Greeting Me As A Friend
  2. Panic! At The Disco - Death Of A Bachelor
  3. Deftones - Gore
  4. Dream Theater - The Astonishing
  5. Foxes - All I Need
  6. Daughter - Not To Disappear
  7. Lacey Sturm - Life Screams
  8. HÆLOS - Full Circle
  9. Weezer - Weezer (White Album)
  10. LIGHTS - Midnight Machines

Top Songs Of 2016 (so far)

  1. AURORA - 'Murder Song (5, 4, 3, 2, 1) (Acoustic)'
  2. Panic! At The Disco - 'Emperor's New Clothes'
  3. Deftones - 'Hearts/Wires'
  4. Foxes - 'Better Love'
  5. Lacey Sturm - 'Rot'
  6. AURORA - 'Through The Eyes Of A Child'
  7. Deftones - 'Phantom Bride'
  8. Dream Theater - 'Moment Of Betrayal'
  9. Daughter - 'New Ways'
  10. Jack Garratt - 'My House Is Your Home'

Thanks for reading my reviews and following! :) A lot more to come, I’m nowhere near stopping. Follow me on Twitter or add me on Facebook too, while you’re at it.

LIGHTS - Midnight Machines

Canada’s greatest gift is at it again. Pop/electronic queen Lights has released her fifth album (and third acoustic release), Midnight Machines featuring acoustic renditions of tracks from her prior release, Little Machines, as well as some new material.

As you’d expect of an acoustic album, this album is very intimate, which, for Lights, is always great. But from acoustic versions of songs from what was one of her most active and energetic albums, it’s almost like you’re listening to completely new songs. Truth be told, Little Machines didn’t really click with me originally. It felt like Lights trying to fit some kind of status quo with how poppy it was. After revisiting the album after listening to this release, the true colors of it clicked with me. Midnight Machines reveal the purer emotions behind each track, giving their original version a much different and more powerful meaning, too.

The album begins with an intimate rendition of ‘Up We Go’, a very electrifying track in its original form, but very personal in its stripped down version. The plucked guitars and kick drum beating like a heart accentuate Lights’ recollective vocals. The message has a very personal “I’m here for you” vibe to it. The same theme is found in ‘Running With The Boys’, a song that’s energy that drove it is absent in this performance, but has that recollective sense to it that just feels so dreamy that it’s hard to fault it. A new song, ‘Follow You Down’, has a similar vibe to ‘Up We Go’, but with a more somber demeanor. The sing-a-long part is just so sweet and emotional, it’s chilling. ‘Meteorites’, a song that oozes pop dance vibes, becomes a song you could slow dance too, a beautiful choir in the bridge bringing the song to a brilliant end. ‘Don’t Go Home Without Me’ is definitely, for me, at least, the most heartbreaking track on the record. For no other reason than the emotion found in the disposition of Lights’ lyrics and the beautiful orchestra remind me of my girlfriend so very much. The buildup of the bridge nearly brought me to tears; this is a beautiful song. I love you, Halli. If you’re reading this. I probably look stupid, otherwise. The album’s closure track, ‘Muscle Memory’, is interesting in that I think it’s actually better than the original. The intimacy of the lyrics that were intended for the original, just feel so much stronger in the acoustic version. It’s like a whole different song. The only track on the album that brings it down in any way is ‘Head Cold’, which isn’t even inherently bad, but it feels like, to me, a better song could’ve made it’s way for a personal acoustic version.

The instrumentals of the album make it all the more powerful. The symphonies throughout the album are just beautiful, especially in ‘Same Sea’, where the blend of backing vocals and an orchestra are just fantastic. With the acoustic instrumentation and subtle orchestras, the album overall has a very open atmosphere. The acoustics and dynamics of the album are so crisp and open, it’s a very pleasant and soothing experience if you can look past the emotion the vocals will make you feel.

Lights always delivers with her acoustic material. The acoustic version of ‘Cactus In The Valley’ on the acoustic version of Siberia is one of my all-time favorite songs - her performances on acoustic albums ooze so much emotion and intimacy. It feels like a friend is talking to you. The personal flair doesn’t falter at all with Midnight Machines, and its colors bring the original songs to a whole new level. Listening to this album at midnight (or in the early morning - it can have the same feel then, too), as the title suggests is such a surreal experience. It feels like your emotions are so much more susceptible at those times, and this album knows that. It uses that to deliver the beautiful music it has, and helps you remember that you’re not alone. It’s relatable nature is what makes it so great. Midnight Machines is another fantastic release from Lights, and I just can’t wait for the next one.

Favorite Tracks: Don’t Go Home Without Me, Up We Go, Follow You Down, Meteorites, Muscle Memory

Least Favorite Track: Head Cold

Rating: 8.5/10

 

Top Albums Of 2016 (so far):

  1. Aurora - All My Demons Greeting Me As A Friend
  2. Panic! At The Disco - Death Of A Bachelor
  3. Deftones - Gore
  4. Dream Theater - The Astonishing
  5. Foxes - All I Need
  6. Daughter - Not To Disappear
  7. Lacey Sturm - Life Screams
  8. HÆLOS - Full Circle
  9. Weezer - Weezer (White Album)
  10. LIGHTS - Midnight Machines